Thursday, March 12, 2020
Essay on Cake Frog and Strong Gauze
Essay on Cake Frog and Strong Gauze Essay on Cake: Frog and Strong Gauze I love cake kdskfjdskgksdfklsdj dfjsdalkfa dsfakl a fdjka dfsaklfja afkjdf dafdsajfdsaj dsgjsdfjsdlkfj kfjsd aNaturalist. Heaney uses metaphor in ââ¬Ëbluebottles/Wove a strong gauze of sound around the smellââ¬â¢ to create a sense of the buzz of the flies creating a vibration that is so solid it is like he can feel it. This metaphor is used again in ââ¬ËThe air was thick with a bass chorusââ¬â¢ which again makes the reverberations of the frogsââ¬â¢ croaks feel like something which could physically hurt him. The poet uses simile in ââ¬Ëfrogspawn that grew like clotted waterââ¬â¢ to add to the disgust of the gloopy frogspawn. Seamus Heaney uses personification in ââ¬Ëthat if I dipped my hand the spawn would clutch itââ¬â¢ to make the frogspawn seem like one evil being which is out to get him. The poet uses dissonant sounds in ââ¬Ëflax had rotted there, weighted down by huge sodsââ¬â¢ to make the sound of the squelching, decaying flax. It creates a repulsive sound. All year the flax-dam festered in the heart Of the townland; green and heavy headed Flax had rotted there, weighted down by huge sods. Daily it sweltered in the punishing sun. Bubbles gargled delicately, bluebottles Wove a strong gauze of sound around the smell. There were dragon-flies, spotted butterflies, But best of all was the warm thick slobber Of frogspawn that grew like clotted water In the shade of the banks. Here, every spring I would fill jampotfuls of the jellied Specks to range on window-sills at home, On shelves at school, and wait and watch until The fattening dots burst into nimble-
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